Vacations guides to Tahiti and French Polynesian Islands: Tahiti, Bora Bora, Moorea, Huahine and more.
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Vacations - Tourism


Diving
Tourist Maps
Practical Information
Leisure Activities
Islands Guide
Where to stay
B&B
Places to eat
Towns
Tahitian Cocktail
Festivals
Airlines Timetable
Ferries Timetable
Bars
Tahitian Cooking
Tahitian Flowers
The truck
The "Roulotte"

 Identity

Music
Books
Language
Heritage
Handicraft
History
Legends
Maritime Life
Art
Polynesian Tattoo
The Marae

 Gallery

Webgirls
Photo Collections
Natural Surroundings

 Portraits

Paul Gauguin
Culture

Polynesian People

 Economy

Pearl farms
Fruits & Vegetables
Fishing
Tahitian Vanilla
Investissements and Flosse's Law

IInvestigations

The flotilla of Tahiti
The pond of the Queen
 

Great Events:

Gauguin and the primitivism
Polynesian history
Old Tahitian photos
Monoi

 

Art

Modern Art | Ancient Art | Charles Giraud | Paul Gauguin | Charles Alfred Le Moine 
Octave Morillot | William Alister Mac Donald | Jacques Boullaire | Adrian Hermann Gouwe

Ancient Art

In art as well as in other domains, Eastern Polynesia formed a region apart. Unlike Melanesia, for example, where figures are often abstract and polychrome, Polynesian sculpture is rarely painted and relatively realistic. 

But can we really talk of Polynesian art when it was never art for art's sake ? It had above all a religious or decorative function. The wooden or stone anthropomorphic statuettes called "ti'i" or tiki had a religious significance, whereas articles for useful or ornamental purposes were simply given a decorative design. 

The Marquesans were the most skilled in the decorative arts. Their artisans covered the whole surface of all their creations with complicated designs often inspired by the shape of the human body. It is therefore very surprising that their tapa are never decorated, whereas Tongan and Samoan artists, their inferiors in the other arts, were masters in designing material. 

Petroglyphs are the least well known of the Polynesians' graphic works of art. These carved stones can be seen most frequently in the Society Islands. They represent stylized characters including the costume of the leader of a funeral in Tahiti, or turtles and fish in Bora Bora. 

The famous tiki, the Marquesan name for the "ti'i" of Tahiti, is found in various situations, and those decorating combs or the handles of fans are very finely carved. Those that were a little larger and made of wood were perhaps already used for religious purposes. They are to be found as posts, as individual statuettes averaging 30 cm in height, or as components of canoes. Although we can imagine how some of these were used, (the cleat for example), we still do not know whether these carvings, when they formed part of a canoe, indicated ownership or a representation of the Gods indispensable for voyaging. 

The most coarsely fashioned stone or coral "ti'i" were usually found on the marae or at the boundary of sacred land. In the Austral Islands, where the decorative arts no doubt were most characteristically Polynesian, important articles, usually made of wood, were carved with fine geometric motifs. Human forms, especially on drum bases, are completely original and have nothing in common with the famous tiki, which seems today to be the only symbol of Polynesian art.